Ludwig black and white badge dating
One uses a wing-bolt that screws directly into the topside of the second post to adjust the height of the top post.The other variation uses a small angled tension bar with a hole at one end and a threaded hole at the other. It has always been assumed that Mal Evans installed the Rogers tom mounting brackets on Ringo's drum kits.There were three version of the Black and White badges..
This made for a less perfect round shell, but prevented problems with the finish pulling off.I was told that the dual tom mount was used at some point in 1968.The two toms used with the dual mount would have been the 8"x12" from kit #2 (Sullivan) and 9"x13" from this 1964 kit #3.Here are the details:1964 Kit9”x13 - Tom (Keystone badge # 33649 / No stamp date found)16”x16” - Floor Tom (Keystone badge # 33571 / No stamp date found)14”x22” - Bass Drum (Keystone badge # 89896 / No stamp date found) Unique oyster black pearl swirl pattern Keystone badges (16"x16" floor tom has the Keystone badge positioned in the center of the drum)3-ply mahogany/poplar/mahogany shells with white painted interiors Baseball bat tone controllers with red or white felt tone control pads (Ludwig changed from red to white early in ’64)Threaded mount casing with wing-bolt (P-1672) 16.5” floor tom legs with knurled stems Fold out bass drum spurs with knurled stems (P-1305)Rogers Swiv-o-matic tom mount assembly Chrome over brass (COB) tom rims Andy Babiuk’s book, Beatles Gear, states that Ringo was given this set by Ludwig Drum Company and that Ringo received this kit on May 31, 1964 at the Prince of Wales Theater in London.This kit became the studio work horse until the maple kit.
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The stands appear to have been mixed between drum kits at various times.